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Since this was my first foray into theater (my primary field of expertise is music for film and TV), I was using my MacBook Pro and a portable sub-mixer (for added control) to run the sound cues via iTunes with my other hand I was pushing the pause button on a DVD player. I am the production coordinator and sound designer for my wife's Pulitzer Prize-nominated solo show "Now That She's Gone," which we've been doing theatrically for the last 3 years all over the world. QLab is truly one of those "how did I ever get along without it" items.
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Just one final thing next time you go to the theatre have a look what software the sound engineer is using, if they have a mac it will have Qlab on it!
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The free version is great for amateur groups for simple audio playback. The software is expensive, but is aimed at professionals and does much more than cheeper alternatives. However they now have some great tutorials on the website, I would suggest watching these before you start using the software as it covers the basics well. For example cross fading tracks into each other. The only negative is some of the more simple commands can take a while to get your head around. The software not only plays back the sound file, but also sends midi commands to the desk to raise the fader and lower the fader when the sound has stopped playing. The free version is great! I used this for ages but finally upgraded to the pro version just because I wanted to use the midi integration. I have used this for our amateur theatre group for the last 3 years and it works flawlessly. – red flash around the GO button if double-go protection is invoked.What can I say. – options to customize which work-space is opened on launch. – editable duration’s for still image video cues as well as text cues. – parametric fade curves, including support for equal power audio fades. – option to trigger a cue on work-space close, in addition to work-space open. – Up to 64 channels of audio output (up from 48).
– Enhanced input/output global overrides. – The new negative post-wait times, to trigger the next cue “this many seconds before the current one ends”. – Highlight “related” cues in the cue list (i.e. – Additionally, you can now batch-edit the Basic, Trigger, as well as Light Level properties directly in the inspector. – Save hours of time with Fancy Paste! Selectively paste properties from one or more cues onto other cues in your work-space. In QLab 4 you can run through your cues manually, and let QLab record the timing of the triggers. Any basic cue can be added to a cart, making it a friendly control surface for anything you can build in QLab. You can now build cue carts and cue lists side-by-side, from a single button to a grid of 64.
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To repost or reproduce, you must add an explicit footnote along with the URL to this article!Īny manual or automated whole-website collecting/crawling behaviors are strictly prohibited.Īny resources shared on Cracks4Win are limited to personal study and research only, any form of commercial behaviors are strictly prohibited. This article along with all titles and tags are the original content of Cracks4win. I need a piece of Windows software with the same video functionality as QLab for the price of a 4 week QLab video rental or less ($84 or less). I searched the forums for Windows QLab alternatives, but only found sound related posts. Alternatives vary heavily due to the specific needs surrounding stage settings and gear involved. QLab Alternatives for Windows An industry leading cue system for show and stage lighting, QLab is one of the more popular choices for lighting professionals.
Cake Projection Mapping Tutorial with Two Projectors using Qlab & MadMapper.
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